document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln (''); document.writeln ('

'); document.writeln ('Breaking News from \"Prints For Pleasure'); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("Papa November Interview"); document.writeln (''); document.writeln ('

'); document.writeln("Zenon Gradkowski interviews the Birmingham-based electronic project started by Stuart Tonge..."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("Sync or Swim"); document.writeln (''); document.writeln ('

'); document.writeln("Michael & Margaret Kemp review "Sync or Swim", a development & adaptation of Lizzy Carey's performance proposal for "Wet Sounds" 2008..."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("Progress on the Book of the Erinyes"); document.writeln (''); document.writeln ('

'); document.writeln("The Book of the Erinyes is progressing, with the first batch of photos taken earlier this month. Samples on the mini-site:"); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("the sound of premature ejaculation"); document.writeln (''); document.writeln ('

'); document.writeln("Zenon Gradkowski presents a definitive history of the Rozz Williams noise unit Premature Ejaculation, including interviews with Ron Athey and Erik S. Freeman."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("ear cinema presents late noon sun"); document.writeln (''); document.writeln ('

'); document.writeln("Late Noon Sun, produced by Wajid Yaseen, revisits Alice Kemp's sinister tale of Little Mary, with film & animation by Lizzie Oxby, live stage performances by Alice Tatge & Dagmara Bilon, filmed performance by members of Psychological Art Circus, and original, immersive ambisonic soundscapes by Dave Hunt."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("book of the erinyes site launched"); document.writeln (''); document.writeln ('

'); document.writeln("we've just launched a brand new mini-site for Paul Watson's new Book of the Erinyes project..."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("new paintings from zenon gradkowski"); document.writeln (''); document.writeln ('

'); document.writeln("we've got three new paintings by zenon gradkowski up in the galleries, representing a new direction with his text-based work..."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("germseed galleries relaunched"); document.writeln (''); document.writeln ('

'); document.writeln("after much work, we're delighted to announce the relaunch of germseed's galleries with new artwork and a new URL..."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("new section of the website"); document.writeln (''); document.writeln ('

'); document.writeln("we've just launched a new section of the website which will serve to document art projects as they progress. click 'notebook' in the menu bar above or click the link below..."); document.writeln ('

'); document.writeln ('Thu, 29 Jul 2010 00:00:00 -0700'); document.writeln ('

'); document.writeln (''); document.writeln("madame du planchette de la cloche"); document.writeln (''); document.writeln ('

'); document.writeln("Alice Kemp's "statue-like presence and pared-down interactions worked a sometimes minacious magic upon other viewers" - read the full review of 'Madame Du Planchette de la Cloche'"); document.writeln ('

'); document.writeln (''); document.writeln ('Generated by headlinedepot.com'); document.writeln ('

');